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Book The Magic Flute Tickets at the London Coliseum, London

Magical comedy and spellbinding adventure – ENO’s five-star production returns

About The Magic Flute


The Magic Flute is one of the greatest and most popular operas ever written. Mozart himself could not enjoy its complexity and beauty during his lifetime as he died before he had a chance to stage the opera. This masterpiece might have been lost forever if it were not for his widow Constanze, who offered to send a manuscript score of The Magic Flute to a court Bonn and the score was published another 25 years later.

Mozart’s timeless classic explores the search for true love and wisdom as the royal prince Tamino and the bird-catcher Papageno must overcome a series of trials in order to rescue Pamina from the grasp of the manipulative Queen of Night.

This is a wonderfully theatrical and imaginative staging from Complicite artistic director Simon McBurney at the London Coliseum, where live sound effects and breathtaking animations help bring this captivating tale to life.

The unforgettable storytelling will be matched by music-making of the very highest level, with ENO Music Director Mark Wigglesworth conducting a world-class cast including Allan Clayton as Tamino and Lucy Crowe as Pamina.

‘Startling humour and theatrical wizardry’ The Observer


 

tags: Opera, Classics, Our Picks


The Magic Flute Customer Reviews

4.6 / 5 (15)
15 March

IT was an amazing production-the staging was brilliant and drawing in the audience just added to a wonderful production.

6 March

Really beautiful show, the direction was great, very original. But I did not fency all the costums (especially Tamino and Pamina who were the only characters without shoes I did not see the point) The Queen was amazing !

6 March

Great performance Original scenografie I liked it

28 February

I booked the tickets for my husband who loves opera but has never seen a performance live. This production is brilliant. The modern take on The Magic Flute is done with the obvious love of the opera with the injection of humour, creative animation and superb performances from everyone in the cast. I would recommend this production to anyone whether they are opera lovers or not.

28 February

We did not feel that the staging was as good as previous Complicite productions.

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