“I’m blown away by the remarkable talent and abilities of the great cast we’ve gathered.” says Flatley, adding “coming to the West End is like coming home and the Palladium, with its magnificent stage, feels like the perfect fit for our show.”
With all the visceral precision and thrills of the original, Lord Of The Dance: Dangerous Games features new staging including Holo-Gauze™ screen technology displaying holographic-effect projections, new costumes and new choreography; as well as special guest former Girls Aloud star Nadine Coyle performing brand new title track ‘Dangerous Games’. Starring James Keegan, Morgan Comer and Mathew Smith as the Lords Of The Dance alongside 40 of the world’s most outstanding young performers, directed and choreographed by Michael Flatley, with new music by composer Gerard Fahy, this latest iteration combines the best of tradition with all the excitement of new music and dance.
Michael Flatley’s innovative and ground-breaking choreography and unforgettable performance at the 1994 Eurovision - saw his work change the world of dance and particularly Irish dance forever. Followed by massive global success with the creation of hit shows Lord Of The Dance, Feet of Flames and Celtic Tiger, Flatley’s extraordinary career has seen the artist and musician – holder of a place in the Guinness Book of Records for an incredible 35 taps per second - break box office records and thrill audiences around the world for over two decades.
With 200 plus dates planned across 15 countries over the next 18 months, the world tour will kick off at The SSE Arena, Wembley on 30th October – celebrating Lord Of The Dance’s unique record for Highest Number of Tickets ever sold for a Wembley event - followed by shows in Belgium, Israel, Scandinavia, Dublin, Belfast, and South Africa, before returning to the UK for a nationwide tour next year.
Don't miss your chance to see this unmissable theatrical spectacle from the world's greatest dance entertainer! Book Michael Flatley's Lord Of The Dance: Dangerous Games tickets now!
By Jacob Porteous