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Book Rigoletto Tickets at the London Coliseum, London

Verdi's classic opera in a new production by Christopher Alden

About Rigoletto

<p>Acclaimed director Christopher Alden explores Verdi's Rigoletto at&nbsp;<strong><a href="https://www.londontheatredirect.com/venue/122/London-Coliseum.aspx">English National Opera</a></strong> through the patriarchal environment of a 19th-century gentleman's club, with sumptuous costumes and rich period detail. Featuring some of Verdi's most immediately recognisable music, including 'La donna &egrave; mobile', this is a must-see new production of a classic of the opera repertoire.</p> <p>A tragic story of passion, revenge and sacrifice, focused on lowly jester <strong>Rigoletto</strong>, the daughter he loves and the Duke he serves. Deceived by those he mocks, Rigoletto unknowingly assists in the abduction of his own daughter, Gilda. Hatred and the desire for vengeance overwhelm him, which inevitably leads to more pain and sacrifice in this heartbreaking tale.</p> <p>★★★★ The Times&nbsp;</p> <p>★★★★ Evening Standard</p> <p>★★★★ Financial Times</p> <p>★★★★ WhatsOnStage</p> <p><strong>Rigoletto</strong> stars baritone Quinn Kelsey in the title role, while ENO regulars soprano Anna Christy and leading bel canto tenor Barry Banks sing their roles for the first time. Making his first return to ENO in many years is British conductor Graeme Jenkins, the long-time Music Director of the Dallas Opera.</p>

tags: Opera


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Rigoletto at
London Coliseum,
London

33 St Martin's Lane
London
WC2N 4ES

Seating plan

Ticket Offer Details

<p><span style="color: rgb(128, 0, 0);">Up to &pound;30.00 OFF Top price seats and many other discounts available. Discount valid 13th, 15th, 20th, 22nd &amp; 25th&nbsp; Feb, 1st and 5th March</span></p>

Information

Rigoletto information

Running time: 2 hours 50 minutes

Thursday 13 February 2014 to Friday 14 March 2014

Please note: there is no view of the surtitles in the Dress Circle from row H backwards, plus G6-8 and G52-54; plus Upper Circle rows K and L.

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